Remote and Studio Recording Services

Listen to a Few Of My Studio Recording Projects

Studio-Quality Horn Tracks for:

• Film & Television Scores
• Orchestral Productions
• Cinematic Soundtracks
• Musical Theatre
• Pop/Contemporary Music
• Commercial Jingles
• Video Game Soundtracks

Professional Experience:

• Recording studio work in Toronto and Ottawa
• Full horn range capability (pedal C to double high C)
• Solo passages and complete horn section parts
• High-quality home studio setup
• Quick turnaround times
• Remote recording capabilities

Services Include:

• Multiple takes and variations
• Section layering
• Dynamic range flexibility
• Custom articulations
• Professional audio files delivered in your preferred format
• Revisions to ensure your complete satisfaction

For rates, availability, and project details, contact: Guy Edrington guyedrington@gmail.com

Sample recordings and previous work available upon request.

“A Studio Session to Remember”

One of my quickest – and most widely heard – recording sessions happened years ago in Toronto. The project? The iconic Famous Players Movie Theaters Coming Attractions theme that played before films across Canada.

The French Horn part? Just six notes. The takes needed? Just one. The reach? Every Famous Players cinema across the country.

That simple horn melody ended up playing before countless movies for years, greeting millions of moviegoers as they settled into their seats with popcorn in hand. Sometimes the briefest sessions create the most lasting impressions.

“Virtual Performance Highlights 2020-2024”

Despite physical distances, the pandemic era opened new doors for international horn collaboration. I engaged in numerous virtual recordings and performances, connecting with fellow hornists across Europe and North America.

A career highlight during this period was my participation in the International Horn Society Workshop’s live-streamed event. As the sole player from Canada among eight wonderful hornists from the Eastern United States all the way down to Texas, we performed together seamlessly using Syncspace Live technology, breaking new ground in remote ensemble playing.

I was also honored to play as one of six great horn players for the prestigious Los Angeles Horn Club Tribute performance, collaborating virtually with some of the finest hornists in North America.

These experiences demonstrated how technology could unite musicians across borders, maintaining artistic excellence even when traditional concert halls were silent.

Here is my version of the famous Allan Civil horn solo on the Beatles’ song “For No One”. I played this on my Alexander 107 descant horn.

Los Angeles Horn Club Tribute at the International Horn Society Workshop

i was one of 6 players on the first part and you can see me in the second row the first player in front of the window in my studio.

Here is the equipment I am currently using.

Horns

• Conn 8D N series
• Walter Moning Double
• Alexander 107 B flat High F Descant
• Alexander 105 High F Horn with E and E Flat extensions

Mutes

• Stone line Cup Mute
• Eugene Rittich Mute
• Aulos Mute
• Miraphone Stopping Mute

Digital Audio Workstation and Audio Interface

• Reaper
• Amplify Studio
• Audacity
• Ableton Live Lite
• Volt4 76P
• Spitfire Labs

Microphones 

• Audio Technica AT2020
• Rodes M5 Matched Pair
• PZM
• Coles 4038
• Shure SM57

Emulated Microphones

• AKG C414
• Neumann U47
• Neuman U87
• RCA BK5A Ribbon
• Royer R-121
• Sennheiser MD 441
• Shure  SM57
• Sony C800G
• Telefunken TELE U47

Video Software

• OBS Studios
• Shotcut
• DaVinci Resolve

Headphones

Audio Technica Stiudio Headphones